Wednesday, 25 June 2008

Pretty Ricky Video Series Hypes Upcoming LP, Introduces New Member, Reveals Naked Recording Technique




We're still a week away from the official first day of summer, but in case you haven't noticed, things are already getting unseasonably, well, steamy. And while that could be due to any number of things (like, say, global warming), we're willing to chalk up all that heat to gratuitous amounts of Pretty Ricky.

That's because America's foremost purveyors of over-sexxxed R&B — and the group that launched a thousand couch-humping YouTube clips — are back once again, with a new album (80's Babies), a new member (he's called 4Play) and a rather ingenious way of promoting both.

Late last month, the guys in PR launched "21 Days of 4Play," a series of videos on their MySpace page designed to hype the release of Babies (due August 26) and introduce the world to 4Play. The beefy crooner was hired to replace Marcus "Pleasure" Cooper, who split from the group under decidedly acrimonious terms last year. But as is generally the case with pretty much anything involving the libidinous quartet, the videos ended being so, so, so much more. (Check out five things we learned from the videos, in the Newsroom blog.)

Basically, they're the most amazing things ever. And as such, we felt we'd be doing you a disservice if we didn't provide day-by-day highlights of the series. What follows is an up-close-and-personal look at the gentlemen of Pretty Ricky — but not the kind that would make you have to go to a clinic afterward. Sorry, ladies.

» Day 1: We meet Pretty Ricky down in "sunny Miami" (though, from the look of things, it's actually more like "windy and overcast Miami"), where they're doing promotional shoots for Babies and talking about both foreplay and 4Play (it works on both levels!). The latter is introduced via a shot of his glistening abdominal muscles.

» Day 2: Each member of the group (with 4Play shown only as a muscle-bound silhouette) talks about the concept of the album, which Baby Blue — who now goes by the name Diamond Blue and who looks like he's channeling all three members of Bell Biv DeVoe simultaneously — sums up thusly: "This is '08. That's '80s backwards."

» Days 3-5: The other members of Pretty Ricky take turns pimping not only the album and their newest member, but also the general prowess of the group. Slick 'Em (the one with the dreadlocks) says that each member of PR is "spontaneous and full of vigor. ... You gotta have your grown man on, and you gotta be a beast in the bedroom." Blue calls Pretty Ricky "unstoppable ... undeniable." And Spectacular (he's the one who licks his lips a lot) tells us that "[For] the first album, Bluestars, you needed a tissue. Second album, Late Night Special, you needed a rag. This album ... you need a towel for all those tears."

» Days 6-8: A shadowy figure (whom we can safely assume is 4Play) talks about the prowess of 4Play. The ladies talk about the prowess of 4Play. And finally, 4Play, in silhouette once again, croons about the prowess of 4Play, bleating out, "There's a new sheriff in town ... and his name is 4Play."

» Day 9: 4Play — who, we should know, is "the number-one singer in the world" — is finally introduced, and he steps to the mic to croon another tale of his sexual prowess. Pretty Ricky fans, however, remain unimpressed. "He can sing — he ugly tho" is how one YouTube commenter puts it.

» Day 10: During an SUV trip up Interstate 95, we learn that Slick 'Em once told his fifth-grade teacher that he wanted to be a pimp. We also learn that, apparently, the difference between the suffixes "-tion" and "-tioning" is that "-tion" is a noun and "-tioning" is a verb. Or, as Professor Blue (who really is the MVP of the entire series) explains, "If we get a nice young lady, or a '-tion,' [and] by the end of the night we end up '--tioning,' that actually means that we ended up having intercourse, penetration, oral sex, kissing, hugging — whatever you want to call it — that's '-tioning.' "

» Days 11-12: The fellas work out and shoot dice at a fake craps table, sans T-shirts (4Play also does both in wraparound shades and a do-rag). There is much discussion about "the ladies" and "hustling." Hilarity ensues.

» Day 13: Sitting in what looks like your grandma's Florida room (potted plants, glass coffee table, bizarre jungle mural on the wall), Pretty Ricky hammer away on a keyboard and sing about having sex with '80s babies. Slick 'Em inexplicably holds a lint roller throughout.

» Day 14: In perhaps the most amazing moment of the entire series, Blue and 4Play sit in a shiny recording studio, both combing their hair (4Play's sole contribution to the group seems to be his ability to do this) while the camera slowly pulls out to reveal that Blue is wearing nothing but a wife-beater and jockey shorts. The duo then explain that they recorded the songs on 80's Babies "butt-ass f---ing nekkid," because, as Blue explains, "When y'all hear that riff, I want y'all to say, 'I wonder if he was nekkid when he did that?' And you know what you gonna say then? 'Yeah.' "

» Days 15-16: Miscellaneous photo shoots at a Miami soundstage. Nothing much of note here, save the group's matching Versace silk shirts and the faces Spectacular makes throughout.

» Day 17: The guys talk about their ideal mates while lounging in what appears to be an Egyptian tomb. 4Play says he's looking for "sex, love and romance" (he also says this reclining, shirtless, on King Tut's daybed), while Blue is less choosy. "I like thick girls, skinny girls, girls with one toe, girls with five toes, girls with 10 toes," he says. "Small, skinny, extra-large. It ain't a joking matter."

» Day 18: Back in grandma's Florida room, the guys caterwaul about the ladies. Grandma shuts the sliding-glass door.

» Day 19-20: Pretty Ricky recline in the studio and give 4Play a chance to tell the ladies what he's all about. He promptly sucks all the energy out of the room with a monotone soliloquy about "setting you up for a hot night" (he also touches his face a lot). Oh, BTW, everyone is wearing matching military outfits, complete with medals that apparently are on par with the Purple Heart. "Y'all can't take these stripes," Spectacular yells as the camera cuts to a close-up of said medals. "We earned them." They also go to the beach.

» Day 21: In the series' grand finale, we follow 4Play as he gets his Pretty Ricky tattoo, thereby signifying his loyalty to the group. He also signs a waiver, talks on the phone and — you guessed it — combs his hair some more, while the other members of the group look on like proud papas. Clearly the guy's a strong addition to the flock.






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Tuesday, 24 June 2008

Judge delays hearing over Britney's assets

A judge said a July hearing into control of pop star Britney Spears' assets will instead look into other matters, giving attorneys time to compile more information about the troubled singer's affairs.

Court Commissioner Reva Goetz also gave permission to her father Jamie Spears, a co-conservator, to sell the 26-year-old singer's home in the Los Angeles-area community of Studio City, a court spokeswoman said.

Goetz ruled that a July 31 hearing, which had been scheduled to decide whether to end or extend the control her father and a co-conservator now exercise over her affairs, will instead review matters of evidence in the case.

Spears had seen her life spiral out of control starting in late 2006 when she broke up with ex-husband Kevin Federline.

The two waged a bitter custody battle over their two sons, and earlier this year Spears was admitted to Los Angeles-area hospitals twice for psychiatric evaluation.

In February, the court established the conservatorship to give Jamie Spears and attorney Andrew Wallet control over her assets and medical decisions, and the singer's life has seemed to stabilise.

She has stayed mostly out of Hollywood's limelight and even gone back to work on TV, appearing on the comedy How I Met Your Mother.





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LiveDaily Interview: Missy Higgins

Missy Higgins [ tickets ] didn't long to become a famous musician, but somehow she's found herself one, winning over fans with heartfelt, self-written songs and even sweeping the 2005 ARIA Awards, Australia's equivalent to the Grammys. Grounded and focused, Higgins is touring incessantly in support of her 2007 release, "On A Clear Night."LiveDaily contributor Maya Marin recently sat down with Higgins for an in-depth conversation about the new album, as well as her childhood in Australia, her rise from high school student to recording artist and more. LiveDaily: You're originally from Melbourne but you've relocated to LA. How's that working out for you?Missy Higgins: I've just relocated temporarily to LA for this year to work this album and see how it goes. I'm originally from Melbourne, so it's a long way from home, but I figured I was going to dedicate this year to working this album and seeing how it goes for me over here.First off, tell us about your childhood in Melbourne. I know that you started piano lessons very early. Did you come from a musical household?I came from a very musical household, actually. My dad was always playing piano at the back of the house. He put me through lessons and he used to sit next to me every night and help me practice. And my brother, he's a musician. He's seven years older than me and he's always done music so I've always looked up to him. He was in a jazz band in Melbourne and, when I was growing up, we used to go and see them play and he used to get me up on stage to have a sing. My sister's very musical as well. She used to sing in his band, too. We had this dream of having the Higgins Trio, like a Hanson equivalent but with the Higgins. What sort of music did you listen to growing up?When I was very young, I listened to a lot of my dad playing classical piano and we used to go and see a lot of musical theater as a family and then we would bring home the soundtracks and always have them playing. My earliest musical memories are Starlight Express, Cats, Les Miserables and Phantom of the Opera. Then I moved on to what my brother was into, and that was jazz, so I started listening to a lot of female jazz greats like Ella Fitzgerald, Nina Simone, Sarah Vaughan and Billie Holliday. Then I got into my own thing and, in my teenage rebellion stage, I started listening to grunge and then got into more singer/songwriter style music and I guess that's how I formed my style today.And when did you start writing songs?I wrote my first song when I was 10, and that was just this piano piece, basically--a story about the convicts that came to Australia during the settlement of Australia. It was this whole story about a guy stealing a pig and a beheading and there was a dream sequence ...That was quite ambitious for a 10-year-old!Yeah, I know! And there was no words or lyrics. It was all in my head.I read that your sister played a big role in jumpstarting your career when you were still in high school. I know it's a pretty well-known story back in your homeland, but could you please tell us?The first real song that I wrote that I was proud of, I wrote when I was 15, which had lyrics and proper structure with a verse, chorus, etc. I was in grade 10 at the time and I managed to record it onto a tape and then, a couple years later, when I was in my final year of high school, my sister sent that tape into a radio demo competition and it won that, which basically meant that I got my song on the radio and I got to do some shows. It was like I accidentally fell into this musical career and, out of that, I ended up getting signed in Australia, and from that, I ended up being signed in America too--all from that one tape, actually. I have a lot to thank her for.Do you think you would have submitted your music on your own accord?No, I'd never heard of the competition, so I would never have done it on my own, but who knows, I may have ended up in the same position, just by a different road. You can never tell.What happened between winning that contest and recording your first album, "The Sound of White?"I finished my year of high school and then I went backpacking around Europe before I started writing for the album and really buckling down.Did you feel that was important for you to do?Well, my best friend and I had been saving up to go around Europe for a couple of years. We'd been working after school and on the weekends. It was something that we'd been so excited about, and then, all of a sudden, I won this competition and I got this record deal and she was really worried and everyone around me was so, "You're not going to go away, right?" I was like, "Of course I'm still going to go backpacking! We've been planning this and just because I got a record deal doesn't mean that I have to stop everything and change my whole plan." I guess, in the back of my head, I knew that it was something important to do in order to be able to do the album that I wanted to do and to get life experience. All of that is just so important. Tell us how you feel you've matured as an artist from your debut to your second release.I've literally grown up so much between when I wrote that first song, "All For Believing," when I was 15 to when I wrote most of the songs for this album when I was 23, so I think I've had a lot more life experience and I've been on the road for so many years and got to experience so many different cultures and countries and make new friendships and, I guess, just experience the highs and lows of life. That all just accumulates over time into a bit of wisdom--or relative wisdom for my age, anyway--and I've learned from my mistakes and I think I've matured musically as well just because I've been playing with so many great musicians in Australia and over here. I'd like to think that I've improved. I'd like to think that I'll keep on improving for the rest of my career. That's the idea, anyway.You mentioned you've been working with some great musicians. Who have you been working with?My band from Australia, I love all those guys. They just came over for a tour with me last month and I'm touring with them again in a few weeks. They just really inspire me and they're great guys and great musicians. The people I played on the album with, like Mitchell Froom who was the producer, taught me a lot about piano playing and arrangement and composition and that kind of thing. Matt Chamberlain on drums was a really great opportunity because I'd always admired his drumming and to be able to work with him on the album was really inspiring, and Neil Finn came and he sang on the album and played guitar. He's like an idol of mine, so to have him on my album was amazing.Mitchell Froom is the famed producer who's worked with Crowded House, Elvis Costello, Paul McCartney. What do you think his years of experience brought to your sound?I think he's really great at simplifying songs that are too complicated and intricate for the sake of being intricate rather than being artistically better. He and his engineer, David Boucher, they can make an instrument sound so beautiful and so real and so present in the room with you when you listen to their albums. They're just really great at what they do. I think Mitchell brought a real classic sound to the album. He has an ability to bring the singer into the room with you and really feel as though that singer is telling you the story, rather than being supported by heavy production. He has the important things out front and makes it sound really simple and beautiful.

Monday, 23 June 2008

Penpals

Penpals   
Artist: Penpals

   Genre(s): 
Other
   



Discography:


Summer Time - Pride Of Niigata   
 Summer Time - Pride Of Niigata

   Year: 2004   
Tracks: 3




 






Aesma Daeva

Aesma Daeva   
Artist: Aesma Daeva

   Genre(s): 
Ethnic
   



Discography:


The New Athens Ethos   
 The New Athens Ethos

   Year: 2003   
Tracks: 14


The Eros Of Frigid Beauty   
 The Eros Of Frigid Beauty

   Year: 2002   
Tracks: 8


Here Lies One Whose Name Was Written In Water   
 Here Lies One Whose Name Was Written In Water

   Year: 2000   
Tracks: 12




 






June Tabor

June Tabor   
Artist: June Tabor

   Genre(s): 
Folk
   Rock
   



Discography:


Apples   
 Apples

   Year: 2007   
Tracks: 12


Some Other Time   
 Some Other Time

   Year: 1991   
Tracks: 12




June Tabor is plausibly the finest female traditional British folksinger of the late 20th 100 -- if non the best British folksinger of her time, time period. What links her to Britain's past traditions is the cooling and worked up qualities of her voice. What links her to the British present is her fine perceptiveness in material, arrangements, and championship musicians, along with a willingness to try different things and rede do work by modern-day songwriters.


Tabor's low gear high profile externalize was a duette album with Steeleye Span's Maddy Prior in the seventies (the duet dubbed themselves the Silly Sisters for the affair). An all-star cast of some of the in the lead lights of the British tribe scene supported the singers, including Martin Carthy, Nic Jones, and Andy Irvine. For her possess albums and tours she has worked with outstanding guitarists, almost notably Jones and Martin Simpson. She's besides tread into folk-rock amnionic fluid with Fairport Convention (with whom she's guested onstage) and Oysterband (with whom she collaborated on a 1990 album). Her 1994 album Against the Streams ground her tranquil at her height, interpreting both traditional tunes and efforts by contemporary composers, including Elvis Costello and Richard Thompson. Subsequent efforts include 1996's Vocalizing the Storm, 1997's Aleyn, and 2000's Quiet Eye. Rosa Mundi appeared in 2001 from Green Linnet, with 2003's Echo of Hooves, 2005's At the Wood's Heart, and 2007's Apples undermentioned from Topic Records.






John acquaviva vs madox

John acquaviva vs madox   
Artist: John acquaviva vs madox

   Genre(s): 
House
   



Discography:


Feedback Vinyl   
 Feedback Vinyl

   Year: 2006   
Tracks: 2




 





Mr And Mrs Smith - The Things They Say 8481

Musical Youth

Musical Youth   
Artist: Musical Youth

   Genre(s): 
Pop
   New Age
   



Discography:


The Best of Musical Youth   
 The Best of Musical Youth

   Year: 2003   
Tracks: 13


Anthology   
 Anthology

   Year: 1994   
Tracks: 19




The success that was predicted for teenaged ska and reggae set Musical Youth when their pro-marijuana single "Pass the Dutchie" sold more than than little Joe million copies in 1982 failed to issue forth to fruition. Within three old age, the ring, world Health Organization featured singer Dennis Seaton, keyboardist Michael Grant, and the Waite brothers -- Patrick, wHO played bass and Freddie Junior, wHO played drums -- had gone their separate shipway. Although a reunification was conceived in 1993, the premature expiry of Patrick Waite at the age of 30 patch in law custody put an end to these plans. The members of Musical Youth were attending Duddleston Manor School in Birmingham when the mathematical group was formed by the Waite brothers and their forefather, Frederick Waite, a sometime member of Jamaican vocal grouping the Techniques, wHO ab initio handled lead vocals. After the band signed with MCA in 1981, Dennis Seaton was recruited to sing lead story. The next yr, they hit gold with their undivided "Take place the Dutchie," based on the Mighty Diamonds' hit "Slide by the Kouchie." Although the ring released several subsequent singles, including "Flat Love" with Donna Summer and "16," they were unable to pair the success of "Pass the Dutchie." The group splintered later the difference of Seaton in 1985.






Percee P

Percee P   
Artist: Percee P

   Genre(s): 
Rap: Hip-Hop
   Pop
   



Discography:


Perseverance   
 Perseverance

   Year: 2007   
Tracks: 19


Throwback Rap Attack   
 Throwback Rap Attack

   Year: 2006   
Tracks: 3


Legendary Status   
 Legendary Status

   Year: 2005   
Tracks: 20


Now And Then   
 Now And Then

   Year: 2004   
Tracks: 16




The second of six children, John Percy Simon was barely three when his mother moved his family line to the Patterson projects in the South Bronx in the early '70s. It was there that Percy (as he was called) witnessed the birth of rap music. By 1979 Percee (he changed the spelling to emulate artists like Kool Moe Dee) was writing and playing his possess rhymes and by high school was a well-thought-of local force. In 1992 Percee P made a edgar Guest appearance on the Lord Finesse (and former rival) song "Yes You May," followed by work with Vakill, Jedi Mind Tricks, Aesop Rock, and Cenobites, among others. Because for many years he was never officially with any one label, Percee (or the Rhyme Inspector) had to make his name known by stephen William Hawking his own mixtapes outside Fat Beats Records in Brooklyn as well as at several shows, eventually compilation many of his songs together under the title Fabled Status (released in 2005). In 2003 Percee signed to California-based Stones Throw, which released his long-awaited solo debut, Perseveration, in September 2007.





Asymetrix

Dianne Reeves

Dianne Reeves   
Artist: Dianne Reeves

   Genre(s): 
Other
   



Discography:


The Grand Encounter   
 The Grand Encounter

   Year: 2004   
Tracks: 10


The Best Of   
 The Best Of

   Year: 2002   
Tracks: 13


New Morning   
 New Morning

   Year: 1997   
Tracks: 10


Quiet After The Storm   
 Quiet After The Storm

   Year: 1994   
Tracks: 12


The Calling: Celebrating Sarah Vaughan   
 The Calling: Celebrating Sarah Vaughan

   Year:    
Tracks: 11




Dianne Reeves has had a quite confusing calling. Blessed with a selfsame attractive voice and the ability to be the premier wind singer of this geological era, Reeves seems reluctant to stick to jazz. Her recordings are much sooner schizophrenic affairs, rarely arrival the heights of her exciting live performances. Reeves sang (and recorded) with her senior high schooling banding and was bucked up by Clark Terry, playacting with him while a college educatee at the Univesity of Colorado. She did sitting shape in Los Angeles starting in 1976, toured with Sergio Mendes (1981) and Harry Belafonte (1984), and number one started recording as a solo artist in 1982, presently becoming a conversant name on the festival circuit. Finally, in 1994, later on unfirm back and forth between jazz, pop, and African euphony, Reeves started to pull herself more to jazz, recording the first of several strong jazz sets for Blue Note.